Reviews

"Joey Luck is a sound wizard who can apparently cause magic to appear wherever he goes." (The Boy from Oz, Richmond Triangle Players)
        
- John Porter, WCVE Public Radio 


“The collaborative nature of Luck and Foster’s creative relationship is unmistakable as each moment, both musically and physically, is brilliantly accentuated.” 
(LEVITATE, Starr Foster Dance Project)
        - Lindsay Hawk, RVA Magazine


"Through echoes, smoke and other effects, sound designer Joey Luck, lighting designer Michael Jarett and set designer Joshua Bennett have colluded to create an otherworldly atmosphere. They remind us that, although Dickens’ tale leads to joy and redemption, it first portrays death and despair."
(Mister Dickens' Carol, Henley Street Theatre)
        - Rich Griset, Style Weekly

"a particularly adroit sound design by Joey Luck" (The Aliens, Firehouse Theatre)
        - David Timberline, Style Weekly   

“The real stars of CHAD DEITY, though, are the audio and visual effects by Joey Luck and Ben Burke.  Luck's sound design infuses great sound effects and original music, and Burke's videos highlight the farcical nature of wrestling.”  (The Elaborate Entrance of Chad Deity, Firehouse Theatre)  
        - Jeremy Bustin, Broadway World 


"Joey Luck’s sound design is very good – not only giving us the sounds of the season, but some of the nicest sound effects around." 
(Psycho Beach Party, RTP)
        - John Porter, WCVE Public Radio 


"The actors' efforts are enhanced by Michael Jarett's lighting, Joey Luck's sound, and Kylie Clark's special effects.  At the show's conclusion, the contributions of all three come together in an orgy of spectacle." (Angels in America, Richmond Triangle Players) 
        - Rich Griset, Style Weekly


"Special recognition should be given to sound designer Joey Luck, who shows particular skill in his use of muted nightclub sounds during backstage scenes."
(Cabaret, Richmond Triangle Players)
        -David Timberline, Style Weekly


“Joey Luck’s terrific sound effects and original music and Benjamin Burke’s standout video—keep “Chad Deity” crackling”
 
(The Elaborate Entrance of Chad Deity, Firehouse Theatre) 
        - Tony Farrell, Richmond Times-Dispatch 
 


“Joey Luck’s sound design and original music are a definite highlight.” (A Bright New Boise, Firehouse Theatre) 
        - John Porter, WCVE Public Radio


"Director Penny Ayn Maas has ramped things up with some clever comic gags (along with Joey Luck’s delightful sound design)"
(Psycho Beach Party, Richmond Triangle Players)
        - Jerry Williams, TVJerry.com

"Joey Luck’s bold sound design and Michael Jarett’s vibrant lighting are critical aspects of creating an intensifying mood" (Venus in Fur, Yes And Entertainment and TheatreLab)
        - David Timberline, Style Weekly


"The actors and musicians work together perfectly thanks to Joey Luck, who serves as both sound designer and sound board operator for this production."
 (The Toxic Avenger, 5th Wall Theatre)    
        - Rich Griset, Style Weekly


"Coupled with Michael Jarett’s moody lighting and Joey Luck’s sound design of a storm over the city and your body starts to ache with the atmosphere." (Venus in Fur, Yes And Entertainment and TheatreLab)
        - John Porter, WCVE Public Radio
    


Awards

2013 Richmond Theatre Critics Circle Award
Outstanding Achievement in Sound Design
A BRIGHT NEW BOISE, Firehouse Theatre


2014 Richmond Theatre Critics Circle Award
Outstanding Achievement in Sound Design
CABARET, Richmond Triangle Players
Also nominated for:
THE ELABORATE ENTRANCE OF CHAD DEITY, Firehouse Theatre


2015 Richmond Theatre Critics Circle Award
Outstanding Achievement in Sound Design
PSYCHO BEACH PARTY, Richmond Triangle Players
Also nominated for:
HEDWIG AND THE ANGRY INCH, TheatreLAB & Spin, Spit and Swear
CARRIE THE MUSICAL, 5th Wall Theatre
THE ALIENS, Firehouse Theatre